Held over by POPULAR DEMAND until 11/13!

Two of the world’s most brilliant men address the greatest questions of all time when legendary psychoanalyst Dr. Sigmund Freud and rising Oxford professor C.S. Lewis clash about love, sex, the existence of God, and the meaning of life, just weeks before Freud ends his own.

From the author who brought us The God Committee.

The longest-running Off-Broadway show.

"David de Vries’ tour-de-force performance alone is not to be missed." - Read the review @ AJC

Read more reviews of Freud's Last Session.

Andrew Benator, Tom Key and David De Vries on 10/15, opening night.

Talkback with the Cast
Friday, October 28, following the performance

$15 Senior Matinees
Wednesday, October 26, Saturday, October 29 and
Saturday, November 5 at 2:30 pm

ASL Performance
Sunday, October 23 at 2:30 pm
To purchase tickets in the reserved ASL seating section, please call our Box Office at 678.528.1500.

Audio Described Performance
Sunday, October 30 at 2:30 pm
To reserve a headset for this special Audio Described performance, please call our Box Office at 678.528.1500.

Artistic Team:

Playwright: Mark St. Germain
Director: Jessica Phelps West
Set Designers: Isabel & Moriah Curley-Clay, Axis Studios
Costume Designer: Marie Estes
Lighting Designer: Cristopher P. Kettrey
Sound Designer: Joseph P. Monaghan III
Props Designer: Maclare "MC" Park
Hair Designer: Monty Schuth
Dialect Coach: Elisa Carlson
Stage Manager: Wendy Palmer
Dramaturg & Assistant to the Director: Anna Michalle Tucker
TD: Jonathan Rollins
Master Electrician: Chris Whittle
SM Production Assistant: Stephanie S. Scott

Want a behind-the-scenes look of our set designers' renderings for Freud's Last Session? Visit Axis Studios Design's webpage for the show and learn a thing or two about the elaborate office of Dr. Sigmund Freud.

Would you like to adopt a prop and sponsor Freud's famed skeleton-like chair? Learn more.

Freud's Last Session keeps on going! The longest-running off-Broadway show not only continues its New York run but moves into a larger theater. Read more at The New York Times.

Sponsor:

Many thanks to the

Cecil B. Day Foundation